Pocket Score Company and Polifemy – St Paul's Cathedral Manuka, Sunday 26 September

Pocket Score Company and Polifemy – St Paul's Cathedral Manuka, Sunday 26 September 3pm

Pocket Score Company is a four voice, all male ensemble specialising in Medieval and Renaissance a cappella works. Likewise, Polifemy is an eight voice, all female ensemble specialising in music from the same period. They joined forces for two concerts on Saturday and Sunday to present a programme of mostly sacred Renaissance music, sometimes together and sometimes apart.

Hughes Festival of Music Gala – Hughes Baptist Church, Saturday 25 September

To conclude the wildly successful Hughes Festival of Music, director David Sequeira assembled a few of Canberra's finest singers to perform popular songs of the 30s and 40s. Present were Tobias Cole, Louise Page and Rachel Thoms, and all were accompanied by Peter J Casey.

School of Music Orchestra – Llewellyn Hall Friday 24 September

School of Music Orchestra – Llewellyn Hall Friday 24 September 7pm.

After the highly successful June concert (reviewed in the June issue of SOM Times view here), I entered Llewellyn Hall expecting big things. Despite the admission still being free, audience numbers seemed reduced, probably due to the fact that most people are out on the town on a Friday night. Nevertheless, the orchestra rose to produce a credible programme of some edge of the repertory items.

ANU Chamber Orchestra, a taste of Finland with Géza Szilvay

ANU Chamber Orchestra with Szilvay

The ANU Chamber Orchestra treated Canberra to an evening of seldom played Finnish string music on 23 September under the direction of visiting celebrity string pedagogue Géza Szilvay.

Tobias Cole and Anthony Smith post a recital

Hughes Festival of Music – Tobias Cole and Anthony Smith – Thursday 23 September 7pm, Hughes Post Office

The Choir of Trinity College, Cambridge. Llewellyn Hall, 9 September

Being a keen practitioner of Choral Music, I had booked tickets early for the Choir of Trinity College's concert. And rightly so, as they sold out a week before the performance. Tucked away in the gallery, one could see a broader section of the community than one normally sees at Musica Viva concerts; evidently the concert had been well promoted in schools. The choristers of Trinity College are drawn from the ranks of its undergraduates – they do not necessarily study music.

BREW Guitar Duo - Wesley Live and CD review

BREW Guitar Duo
They won the Sydney Eisteddfod’s ‘instrumental duo’ and ‘chamber music with guitar’ divisions in 2006 and have since performed for guitar societies in Canberra, Sydney, Brisbane, Melbourne, and at the Darwin International Guitar Festival - the last of which, incidentally, was instigated by now Head of the ANU School of Music, Professor Adrian Walter. They’ve appeared on ABC radio numerous times and have been profiled on the ABC TV programme Stateline. Now they’re signing copies of their second CD, Landscape: Australian Guitar Duets, after each performance for a throng of enthusiastic concertgoers.

Open Day Jazz

The Jazz school was treated on the ANU Open day to three great performances from the ANU Big Band, ANU Recording Ensemble and the ANU Commercial Ensemble. Open Day is usually the first public performance for these bands as they shed off months of rehearsals and prepare for Concerts and Festivals that usually occur in October.

Bacchanals, Ballets and Booze – The Joy of Lambert

Research Editor Alexander O'Sullivan talks with Anthony Smith about his upcoming PhD submission.

Anthony Smith is well known within the Canberra community as an pianist and composer. His PhD thesis is entitled “A Dionysian Style Revealed: selected influences on Constant Lambert's compositional language, with specific reference to the “Bacchanle” movements from the ballets Horoscope and Tiresias, and the “Brawles” movement of the masque Summer's Last Will and Testament.

Book review: "After the Golden Age: Romantic Pianism and Modern Performance", Kenneth Hamilton

After the Golden Age: Romantic Pianism and Modern Performance, Kenneth Hamilton, Oxford University Press, 2008.

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